Rebecca Daynes has developed an interdisciplinary practice fuelled by cultural research and subjective experience. Spanning a variety of mediums including painting, photography, sculpture, video and sound, her practice is amalgamated by a formal aesthetic and deliberated approach.
Her recent paintings explore public constructs of identity, modes of self-representation in a digital age and the effects of social networking on identity. Through staged pose or gratuitous ornamentation her work questions the act of being socially conscious and the effect of intense self-awareness on self-representation.
Returning this contemporary form of self portraiture to traditional media, she draws a parallel between the constructed nature of both identity and the painting process, and highlights the permanence of Social Media’s deceptively transient means of expression.
Rebecca Daynes, Prayer for a Third Arm, 2011
Rebecca Daynes, Self-Portrait with Delilah, 2009
James Abbot McNeill Whistler (1838 - 1903); Nocturne in Black and Gold: The Falling Rocket (1874).
(via wikipedia)